
Satoshi Miyashita "Punch Pottery" Ceramic Sake Vessel
Satoshi Miyashita "Punch Pottery" Ceramic Sake Vessel(s)
- Unique Vessels For Drinking Sake
- Handmade in Tokyo, Japan
-Variety Of Colors Featuring Experimental Glazes and Techniques
-One Of A Kind Fist Pump
Born in Tokyo Japan, 1992. Satoshi Miyashita Lives and works in Tokyo, Japan.
Miyashita has achieved a unique style of expression by incorporating the movement and color of cartoon animation, as well as pop culture, into his ceramics. In recent years, expressive techniques in ceramics have shown great expansion and diversity, and it can be said that Miyashita's works also have the power to expand the possibilities of ceramic expression.
Satoshi Miyashita "Punch Pottery" Ceramic Sake Vessel(s)
- Unique Vessels For Drinking Sake
- Handmade in Tokyo, Japan
-Variety Of Colors Featuring Experimental Glazes and Techniques
-One Of A Kind Fist Pump
Born in Tokyo Japan, 1992. Satoshi Miyashita Lives and works in Tokyo, Japan.
Miyashita has achieved a unique style of expression by incorporating the movement and color of cartoon animation, as well as pop culture, into his ceramics. In recent years, expressive techniques in ceramics have shown great expansion and diversity, and it can be said that Miyashita's works also have the power to expand the possibilities of ceramic expression.
Original: $161.23
-70%$161.23
$48.37Description
Satoshi Miyashita "Punch Pottery" Ceramic Sake Vessel(s)
- Unique Vessels For Drinking Sake
- Handmade in Tokyo, Japan
-Variety Of Colors Featuring Experimental Glazes and Techniques
-One Of A Kind Fist Pump
Born in Tokyo Japan, 1992. Satoshi Miyashita Lives and works in Tokyo, Japan.
Miyashita has achieved a unique style of expression by incorporating the movement and color of cartoon animation, as well as pop culture, into his ceramics. In recent years, expressive techniques in ceramics have shown great expansion and diversity, and it can be said that Miyashita's works also have the power to expand the possibilities of ceramic expression.





